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Viewing 16 posts - 1 through 16 (of 16 total)
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  • givemenoughrope
    Participant
    Post count: 25

    It seems to be working on machine two. Thank you!

    Are you guys having a contest to see who responds quicker to support requests? Kind of amazing….

    givemenoughrope
    Participant
    Post count: 25

    Hi,

    I also puchased the back up dvds. I’m updating two machines. For some reason, I wasn’t presented with the no samples option and went ahead and decided to just download. It’s stuck at 4 hours left. I didn’t choose anything on machine two yet but I wasn’t provided with the no samples option on that either.

    Is there any way to start over and do the no samples option?

    thanks

    givemenoughrope
    Participant
    Post count: 25

    Im incredibly excited for this update…oh man…

    givemenoughrope
    Participant
    Post count: 25

    Yea, they do but I think it actually sounds better when each voice gets different, albeit similar, volume information. Like, not all from the same CC1, etc.

    givemenoughrope
    Participant
    Post count: 25

    Paul,

    thanks for the info. i have actually tried it that way, using the midi sends but i didnt get a good flow going, possibly b/c i left all divisi volumes on CC1. maybe ill try it again and re-route this time.

    givemenoughrope
    Participant
    Post count: 25

    @paulwr wrote:

    if you recorded them on say, like me, a special track setup to transmit to all midi channels at once

    Paul,
    you are using Cubendo, correct? Forgive me if I misunderstood but are you saying that you are transmitting channels 1-16 from one midi track…or from 16 midi tracks? If the former, how?

    I have divisifor each section on it’s own midi channel and I record to 16 channels at once, going back and doing the volume automation over on each track.

    givemenoughrope
    Participant
    Post count: 25

    @Andrew K wrote:

    Real Leagot Sordino is in the works… it will sound soooo much better than a pitch-bend emulation of portamento and legato.

    This will be a new library though… sort of an expansion pack for LASS… since it will include about 8 gigs of new waveforms.

    Thanks,

    Andrew K

    Any update on this? I know there have been a bunch of suggestions.

    Also, will it include a NV to V patch (that also has dynamics control or whatever it’s referred to as)…there must be a separate thread for this that i’m not seeing.

    givemenoughrope
    Participant
    Post count: 25

    @mpeluso wrote:

    I’ve been having the same issue in VE Pro. I’m running Windows 7 on a Slave with VE Pro and LASS. I’ve tried running the MIDI Monitor Script but it shows no culprits. I’ve found that if I reload that particular patch when I open the template, it works just fine. Not sure what this means and although it is a pain to have to reload that patch every time I load the multis/banks, it’s a fix.

    I’ve been having problem as well but only when I load things in a certain order, things meaning the 1)DAW on the master (Cubase, Mac), 2)VE Pro on the slave (Win7 64 bit) and then 3)Kontakt with LASS inside VE Pro. It SEEMS to be ok when I load in that order. Otherwise, I still have the same problem with sample rates like before the last Kontakt update.

    givemenoughrope
    Participant
    Post count: 25

    It’s seems like the RAM saving only applies within the same instance on Kontakt, correct? Different Kontakts within VE Pro or a DAW aren’t going to draw from the same samples, right?

    givemenoughrope
    Participant
    Post count: 25

    Is it better to stream Vln1 and 2 from separate HDs or not? I realize that they are derived from the samples…I thought so anyway. Will it help to do that?

    givemenoughrope
    Participant
    Post count: 25

    I’m doing the Program Changes method across 6 midi channels in Kontakt for each full section (all divisi section and FC). Couldn’t I just duplicate those instruments on channels 7 through 12 for an additional layering option and not use any more RAM? Any reason not to do this? I doubt I’ll need to triple layer anything within LASS.

    I’ve done some layering with EWQLSO but it was always too big sounding.

    On the topic of layering, does anyone do any sort of layering at the pure mixing stage, like maybe combining dry stems with re-amped stems or very compressed/limited stems? i know some people have great success with outboard reverbs. Maybe a new thread for this if there isn’t one already.

    givemenoughrope
    Participant
    Post count: 25

    Whoa! Nice!

    Yea, I already removed the SIPs. It works ok for other instruments (flutes) but not in this case.

    givemenoughrope
    Participant
    Post count: 25

    Hmm…well I guess I can always reroute the KS notes? I’m thinking of buying a foot controller or two to trigger them also. I’m using Andrew’s way of creating Program Changes with Keyswitches (they are recorded as PGs) and then converting them back to notes on a midi insert in Cubase so that K4 sees them as notes but I don’t have to (in the score window).

    I’m still stunned how well this works.

    edit- Is there a specific line or two of code that I can just edit myself to change the range of Keyswitches?

    givemenoughrope
    Participant
    Post count: 25

    Man, that would be awesome! Will it fit under the basses as well? I forget…

    Here is one other thing I noticed with your script that was kind of odd:
    I have three banks each on different midi channels for three divisi sections; all of them keyswitching the same way. When there wasn’t an actual note played on a channel, it’s keyswitching lagged behind the channels which had notes sounding. I guess it wasn’t really a problem in practice, just a bit odd and got my attention. (Maybe it was something I was doing, I dunno…)

    The “Note to Prog Change’ script that comes with K4 has really lagged for me across the board. Also, CC1 only affects the current bank which doesn’t allow for very musical performances. Your script however does provide CC1 to all it banks it seems, so you can KS from articulation to articulation and jump into the same volume/intensity. Very awesome! How does that work exactly?

    Again, great work!

    givemenoughrope
    Participant
    Post count: 25

    Gvalasek,

    This is an amazing script you’ve put together. How do I allow for more banks to keyswitch? I think there are 12 now? I think I just need a few more…

    givemenoughrope
    Participant
    Post count: 25

    Wow. These are great tips.

    First of all, I didn’t even think of playing lines in three times. Might be time-consuming but I’ll give that a try. Right now I’m A/B’ing a 16 (with no tweaking) vs. A, B and C each with a 50ms delay and 49 ms Rnd ms in the Delay and Humanizer settings AND the line being sent from Midi Ch. 1 (A) to Ch2 (B) and Ch3(C) through Cubase’s tranformer pushing the notes back up to 80 clicks randomly. It’s a bit much but it is a fairly slow line. The difference is staggering (intended!). This is kinda blowing my mind and helping me figure out how to actually setup my LASS template. I’m trying the tuning next.

    Thank you, guys!

    ps. and it’s Give ’em Enough Rope, like the Clash album or the fact that I’ve watched the Leone films way, way too many times.

Viewing 16 posts - 1 through 16 (of 16 total)