[luiza177]

in reply to: Changing articulations in Lookahead mode #82384

Seems to have done the trick. Thank you!

[luiza177]

in reply to: AutoArranger and Tremolo patches. #47801

No, I wasn’t aware the update was released. I’m currently downloading it and am going to try and see if it works. If not, I’ll email you the multi.

[luiza177]

in reply to: No sound from patches #47526

Only the note starts are perfectly quantized. There is at least a 1/16th note in between notes.

[luiza177]

in reply to: No sound from patches #47524

It seems to work intermittently. What is the default behavior of A/FC in 3-part when there are only two notes?

Since I’m sequencing by hand, there is no overlap and notes starts are perfectly quantized.

Otherwise, I’ll over the MIDI and mp3 of the part.

[luiza177]

in reply to: No sound from patches #47522

Thanks for the hasty response!

That solved the no sound problem, but a new problem arose: The AA is having a very unpredictable behavior. I’m having my Bass section play some octaves. It usually staccatos the low note and plays the top note. In one of the sections it plays a rather short note, but not quite a staccato. It occasionally works like it should, but I really don’t know. The AA is one of the features that confuse me.

EDIT: Other than occasionally flat out ignoring KS.

[luiza177]

in reply to: Optimizing workflow #47537

Ooooh I see. I hadn’t realize I could layer one than one articulation per KS. That was a bit dense of me. I’ll do some experimenting, thanks for your help!

[luiza177]

in reply to: Optimizing workflow #47535

Interesting. How do I get AA to work with multiple channels and/or multiple Kontakt instances? I’ve been messing around with the AA multi presets, to no avail.

[luiza177]

in reply to: Optimizing workflow #47533

If I set it up this way, then I can’t change the articulation for just one of the divisi sections, right? Also, doesn’t the AA require all the divisi to be assigned to one channel? I’m also a bit confused, you can turn it off and on with CC#30, but doesn’t the sustain pedal do just that?

[luiza177]

in reply to: Optimizing workflow #47531

Please do butt in.

#3 sounds like what I’m looking for. Might I ask how it works a bit more specifically?

Also, what’s the ETA for the update?

Thanks.

[luiza177]

in reply to: Optimizing workflow #47529

@soulofsound wrote:

The benefit compared to instrument banks (besides the ARC functionality) is that you can have multi-timbral tracks (i hide these most of the time) that target a specific articulation directly if you don’t want to use the ARC/Auto-Arranger. (Say you want to play each of the divisi separately without auto-arranger, then you play on each one of the multi-timbral tracks (those that have the corresponding midi channel that your articulation – say Violins I A legato- is on) and play directly without having the ARC send it to this articulation, so without Auto-Arranger.) Then if you want the auto-arranger again, go to the track that sends on the midi channel that the ARC receives. These are just some practical examples of how you could take your old setup and keep it, but at the same time expand the possibilities.
Another benefit with the ARC is that you can layer/combine any articulations you like. This was not possible with instrument banks.

So there shouldn’t change much with the new setup compared to the old. You can keep your old way of working, and add anything you like at any time.

As to loading samples, i don’t load any. So i purge all the samples. Since they’re on an SSD, i never have to wait. 16GB of RAM should be plenty to load all of LASS and a lot more.

Please ask anything specific, so we can help out.

What do you mean you hide them most of the time?
So you saying, have each of the articulations to their own channel (ie. A1, A2, A3, etc) and just switch channels for different articulations? I had different tracks for different articulations before, but I hated working like that. Ideally, I’d have at most a single track per section (ie. Violins I A, Violins I B, Violins I FC, etc).
But again, the thing is, managing 4 MIDI tracks (for A, B and C divisi and FC) when not actually using divisi (ie all of them playing in unison) is rather annoying. So I’m wondering, is that something I’ll have to get over or perhaps I can use the AA to help?

So, what I’m aiming for is having sort of a All-in-one thing. Every articulation and divisi in the least amount of Kontakt instances. To minimize set up time, and time taking to deal with technical stuff whilst composing.

I’ve watched some tutorials vids for the Auto Arranger, but haven’t tried setting it up yet. I still find it a bit confusing.

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